{"id":52721,"date":"2025-11-18T06:18:37","date_gmt":"2025-11-18T03:18:37","guid":{"rendered":"https:\/\/akincilardergisi.com\/tr\/?p=52721"},"modified":"2025-11-18T06:18:39","modified_gmt":"2025-11-18T03:18:39","slug":"tuketiyorum-oyleyse-varim","status":"publish","type":"post","link":"https:\/\/akincilardergisi.com\/tr\/tuketiyorum-oyleyse-varim\/","title":{"rendered":"T\u00fcketiyorum, \u00d6yleyse Var\u0131m!"},"content":{"rendered":"\n<p><strong>Yazar, Abdullah Ko\u00e7<\/strong><\/p>\n\n\n\n<p>T\u00fcketiyorum, \u00d6yleyse Var\u0131m! Abdullah KO\u00c7 Modern insan, Zygmunt Bauman\u2019\u0131n belirtti\u011fi gibi, \u201cart\u0131k \u00fcretici de\u011fil, t\u00fcketici kimli\u011fiyle tan\u0131mlanan birey\u201ddir. Kendi elleriyle in\u015fa etti\u011fi t\u00fcketim mabedinde diz \u00e7\u00f6km\u00fc\u015f bir h\u00e2ldedir. Zenginli\u011fe tapar, yoksullu\u011fu lanetler. Refah\u0131n cilas\u0131yla par\u0131ldayan vitrinlerin ard\u0131nda ise, kesif bir adaletsizlikle birlikte g\u00f6r\u00fcnmez yoksunluklar ve sessiz isyanlar birikmektedir. Bauman\u2019\u0131n dedi\u011fi gibi, art\u0131k modern insan olarak hepimiz \u201cher \u015feyden \u00f6nce t\u00fcketiciyiz.\u201d Bu, bir kimlik beyan\u0131d\u0131r: \u0130nsan art\u0131k yapt\u0131\u011f\u0131 i\u015fle, \u00fcretimiyle, fikriyle de\u011fil; t\u00fcketim kabiliyetiyle varl\u0131k kazanmaktad\u0131r. Bauman\u2019\u0131n Az\u0131nl\u0131\u011f\u0131n Zenginli\u011fi Hepimizin \u00c7\u0131kar\u0131na m\u0131d\u0131r? isimli eserinde \u00e7izdi\u011fi \u015fu manzara, kapitalizmin en olgun h\u00e2linde bile barbarl\u0131ktan uzak olmad\u0131\u011f\u0131n\u0131 g\u00f6steriyor. D\u00fcnya n\u00fcfusunun en fakir y\u00fczde 10\u2019u s\u0131k s\u0131k a\u00e7 kal\u0131rken, en zengin y\u00fczde 10\u2019un \u00e7ocuklar\u0131 kendi d\u00fczeylerinin alt\u0131ndakilerle kayna\u015fmaktan korkuyor. Fakir s\u00fcrekli \u201ci\u015fsizlikle\u201d terbiye edilirken; zengin, \u201cvarl\u0131\u011f\u0131n\u0131n faizini\u201d yerken bile kendini ma\u011fdur hissediyor. Bu \u00e7eli\u015fki yaln\u0131zca maddi u\u00e7urum de\u011fildir, ahlaki bir yar\u0131lmad\u0131r. \u00c7\u00fcnk\u00fc yoksulluk art\u0131k bir toplumsal sorun de\u011fil, ki\u015fisel bir ay\u0131p olarak kodlanm\u0131\u015ft\u0131r. Toplum, ma\u011fduru su\u00e7larken m\u00fclk sahibini y\u00fcceltir. Bu, modern d\u00fcnyan\u0131n en g\u00f6r\u00fcnmez g\u00fcnah\u0131d\u0131r. \u0130nsanlar, zenginlerin \u201cba\u015far\u0131s\u0131na\u201d methiyeler dizerken, yoksullar\u0131n yoksullu\u011funu \u201c\u00e7al\u0131\u015fmamakla\u201d a\u00e7\u0131klar. B\u00f6ylece adalet duygusu, vicdan\u0131n derinliklerinden \u00e7ekilip piyasan\u0131n y\u00fczeyine hapsedilir. Art\u0131k her \u015feyin fiyat\u0131 vard\u0131r, ama hi\u00e7bir \u015feyin de\u011feri yoktur. Kapitalizmin Yeni Dini George Ritzer, modern d\u00fcnyan\u0131n ruhunu \u015fu ironik c\u00fcmleyle \u00f6zetler: \u201cS\u00fcpermarketler bizim tap\u0131naklar\u0131m\u0131zd\u0131r.\u201d \u0130nsanlar ma\u011fazalarda gezinirken, t\u00fckettik\u00e7e takdis edilece\u011fine inan\u0131yor. Art\u0131k \u0131st\u0131rap, yaln\u0131zl\u0131k ve bo\u015fluk bile \u201csat\u0131n al\u0131nabilir\u201d h\u00e2le gelmi\u015ftir. Mutluluk indirimli \u00fcr\u00fcn42 Kas\u0131m 2025lerle; \u00f6zg\u00fcrl\u00fck kredi kart\u0131 limitleriyle \u00f6l\u00e7\u00fcl\u00fcr oldu. Modern insan\u0131n e\u015fyay\u0131 h\u00fckmetmek i\u00e7in de\u011fil, ondan haz almak i\u00e7in kullan\u0131yor olmas\u0131 bu \u00e7arp\u0131k zihniyeti \u00e7arp\u0131c\u0131 \u015fekilde ortaya koyar; i\u015fte felaket buradad\u0131r. T\u00fcketim, bu modern insan\u0131n yeni ibadet \u015feklidir. Bauman\u2019\u0131n \u201cal\u0131\u015fveri\u015f listeleriyle hac g\u00f6revini yerine getirmek\u201d benzetmesi, bu modern dini tan\u0131mlar. Bu mabedde g\u00fcnah \u201cyetersiz t\u00fcketmek\u201d, sevap ise \u201cyenisini almak\u201dt\u0131r. \u0130nsan, sahip olduklar\u0131ndan de\u011fil; de\u011fi\u015ftirdiklerinden kimlik dev\u015firir. \u015euursuzca sat\u0131n almak ve yerlerine daha albenili olanlar\u0131 koyabilmek i\u00e7in art\u0131k yeterince ho\u015flar\u0131na gitmeyen e\u015fyalar\u0131ndan kurtulmak, insanlar i\u00e7in en \u00e7ok heyecan veren duygulardan biri haline geldi. T\u00fcketmekten al\u0131nan zevkin tam olmas\u0131, hayat\u0131n dolulu\u011fu manas\u0131na geliyor. T\u00fcketiyorum, \u00f6yleyse var\u0131m! \u201cAl\u0131\u015fveri\u015f yapmak ya da yapmamak\u2026\u201d diye bir mesele art\u0131k yok. \u015eu anda mideler topluca al\u0131\u015fveri\u015fle ve dizilerle dolduruluyor. \u0130nsanlar, izleme i\u015fini televizyon seyrederek ve internette gezinerek yapt\u0131klar\u0131ndan stat\u00fc paranoyas\u0131 g\u00fc\u00e7leniyor. Reklamlar, daha fazlas\u0131n\u0131n istenmesi i\u00e7in yem olarak kullan\u0131l\u0131yor; a\u00e7g\u00f6zl\u00fcl\u00fck t\u00fcm insanl\u0131\u011fa alt\u0131n tepside sunuluyor. Stat\u00fc Paranoyas\u0131 T\u00fcketim, yaln\u0131zca ihtiya\u00e7lar\u0131n de\u011fil, toplumsal stat\u00fclerin ilan\u0131d\u0131r. L\u00fcks, varl\u0131\u011f\u0131n de\u011fil; g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fcn dilidir. Bauman\u2019\u0131n i\u015faret etti\u011fi \u201cstat\u00fc paranoyas\u0131\u201d, toplumun yeni hastal\u0131\u011f\u0131d\u0131r. Herkes bir g\u00f6steriye d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr. Hay\u0131rseverlik, vergi avantaj\u0131 veya imaj y\u00f6netiminin par\u00e7as\u0131d\u0131r. Fakir, merhamet de\u011fil; reklam y\u00fcz\u00fc olur. \u0130\u015fin a\u00e7\u0131\u011f\u0131, kapitalizm su\u00e7luluk duygusunu ortadan kald\u0131rmaz, onu evrenselle\u015ftirir; b\u00f6ylelikle normalle\u015ftirir. di\u011ferini t\u00fcketim listesiyle tartar: giysiler, markalar, cep telefonlar\u0131, tatiller\u2026 B\u00fct\u00fcn\u00fc, birer toplumsal s\u0131ralama arac\u0131na d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr. Bu yar\u0131\u015fta durmak, d\u00fc\u015fmekle e\u015fde\u011ferdir. Bu y\u00fczden insanlar bor\u00e7 bata\u011f\u0131na s\u00fcr\u00fcklense de vitrinlerini parlatmaktan vazge\u00e7mez; \u00e7\u00fcnk\u00fc parlamamak, g\u00f6r\u00fcnmez olmak demektir. Ancak g\u00f6r\u00fcnmezli\u011fin bir de ba\u015fka t\u00fcr\u00fc vard\u0131r: fakirlerin g\u00f6r\u00fcnmezli\u011fi. Onlar art\u0131k \u015fehrin sokaklar\u0131nda de\u011fil, istatistiklerde ya\u015far. Medya, yoksullu\u011fu yaln\u0131zca kriz anlar\u0131nda hat\u0131rlar; nihayetinde perde kapan\u0131r. Fakirli\u011fin sesi, t\u00fcketim \u015fark\u0131s\u0131n\u0131n g\u00fcr\u00fclt\u00fcs\u00fc i\u00e7inde kaybolur. Bauman\u2019\u0131n bir di\u011fer tespiti modern insan\u0131n g\u00fcvenlik tak\u0131nt\u0131s\u0131d\u0131r. \u201cArt\u0131k insanlar iyi niyet yerine g\u00fcvenlik kameralar\u0131na g\u00fcveniyor.\u201d der. Ger\u00e7ekten de \u00e7a\u011f\u0131m\u0131z\u0131n \u015fehirleri, beton duvarlarla \u00f6r\u00fclm\u00fc\u015f korkular galerisine d\u00f6nm\u00fc\u015ft\u00fcr. \u201cKom\u015fuluk, selamla\u015fma, dayan\u0131\u015fma\u2026\u201d Bunlar nostaljik kelimelerdir art\u0131k. Yerini g\u00fcvenlikli sitelerin so\u011fuk protokolleri, kartl\u0131 ge\u00e7i\u015f sistemleri ve dijital duvarlar alm\u0131\u015ft\u0131r. Zenginli\u011fin ard\u0131nda korku, yoksullu\u011fun ard\u0131nda utan\u00e7 gizlidir. Her iki duygunun ortak sonucu ise yaln\u0131zl\u0131kt\u0131r. \u0130nsanlar kalabal\u0131klar i\u00e7inde birbirinden uzakla\u015f\u0131rken toplum, bir arada ya\u015faman\u0131n manas\u0131n\u0131 unutmaktad\u0131r. Adaletin Erozyonu Sosyal adalet, yaln\u0131zca gelir fark\u0131 de\u011fil; insan\u0131n insana bak\u0131\u015f\u0131ndaki adalet duygusudur. O duygunun kayb\u0131, toplumun ruh k\u00f6klerini kurutur. Art\u0131k iyilik bile bir pazarlama arac\u0131na, yard\u0131m ise bir Adaletin olmad\u0131\u011f\u0131 yerde insan da yava\u015f yava\u015f yok olur. Modern toplum, ruhunu t\u00fcketime; vicdan\u0131n\u0131 konfora rehin vermi\u015ftir. \u0130nsan, kendi hayat\u0131n\u0131n m\u00fc\u015fterisi h\u00e2line gelmi\u015f, sat\u0131n ald\u0131klar\u0131yla varl\u0131k s\u0131nav\u0131 vermektedir. Modernlik, s\u00fcrekli bir \u00e7\u00f6z\u00fclme h\u00e2lidir. Bu \u00e7\u00f6z\u00fclme yaln\u0131z nesnelerde de\u011fil; de\u011ferlerde ve ili\u015fkilerde de ya\u015fan\u0131yor. \u0130nsan\u0131n mana aray\u0131\u015f\u0131, t\u00fckettik\u00e7e daha da eksiliyor. E\u015fya ve h\u00e2diseleri Allah\u2019a nispetle d\u00fc\u015f\u00fcnmeyen, her \u015feyi yanl\u0131\u015f d\u00fc\u015f\u00fcn\u00fcr. \u00c7\u00fcnk\u00fc manas\u0131n\u0131 kaybeden insan, e\u015fyay\u0131 da t\u00fcketime indirger; varl\u0131\u011f\u0131yla ba\u011f\u0131n\u0131 kopar\u0131r. \u0130nsan\u0131n kurtulu\u015fu, e\u015fyaya mana kazand\u0131rmas\u0131ndad\u0131r. Varl\u0131\u011fa mana y\u00fckleyemeyen modern zihin, \u00e7\u00f6km\u00fc\u015f demektir. Bir medeniyetin \u00e7\u00f6k\u00fc\u015f\u00fc, ta\u015flar\u0131n\u0131n de\u011fil; kalplerinin so\u011fumas\u0131yla ba\u015flar. Bug\u00fcn insanl\u0131k, \u00fcretimin de\u011fil; t\u00fcketimin diliyle konu\u015fuyor. Fakat hi\u00e7bir t\u00fcketim, insan\u0131n i\u00e7indeki bo\u015flu\u011fu dolduramaz. \u00c7\u00fcnk\u00fc adalet olmadan huzur, payla\u015f\u0131m olmadan zenginlik, merhamet olmadan medeniyet olmaz. Hakikatin haricindeki her adalet anlay\u0131\u015f\u0131, menfaatin bir ba\u015fka \u015feklidir. \u00c7\u00fcnk\u00fc adalet, ancak Allah ad\u0131na tesis edildi\u011finde hakik\u00ee olur. Kas\u0131m 20<\/p>\n\n\n\n<p>*<em>\u0130nsicam Dergisinden al\u0131nt\u0131d\u0131r.<\/em><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yazar, Abdullah Ko\u00e7 T\u00fcketiyorum, \u00d6yleyse Var\u0131m! Abdullah KO\u00c7 Modern insan, Zygmunt Bauman\u2019\u0131n belirtti\u011fi gibi, \u201cart\u0131k \u00fcretici de\u011fil, t\u00fcketici kimli\u011fiyle tan\u0131mlanan birey\u201ddir. Kendi elleriyle in\u015fa etti\u011fi t\u00fcketim mabedinde diz \u00e7\u00f6km\u00fc\u015f bir h\u00e2ldedir. Zenginli\u011fe tapar, yoksullu\u011fu lanetler. Refah\u0131n cilas\u0131yla par\u0131ldayan vitrinlerin ard\u0131nda ise, kesif bir adaletsizlikle birlikte g\u00f6r\u00fcnmez yoksunluklar ve sessiz isyanlar birikmektedir. Bauman\u2019\u0131n dedi\u011fi gibi, art\u0131k &hellip;<\/p>\n","protected":false},"author":31,"featured_media":52722,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_themeisle_gutenberg_block_has_review":false,"_joinchat":[],"footnotes":""},"categories":[58,44,38],"tags":[],"class_list":["post-52721","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-forum","category-egitim","category-guncel"],"_links":{"self":[{"href":"https:\/\/akincilardergisi.com\/tr\/wp-json\/wp\/v2\/posts\/52721","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akincilardergisi.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/akincilardergisi.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/akincilardergisi.com\/tr\/wp-json\/wp\/v2\/users\/31"}],"replies":[{"embeddable":true,"href":"https:\/\/akincilardergisi.com\/tr\/wp-json\/wp\/v2\/comments?post=52721"}],"version-history":[{"count":1,"href":"https:\/\/akincilardergisi.com\/tr\/wp-json\/wp\/v2\/posts\/52721\/revisions"}],"predecessor-version":[{"id":52723,"href":"https:\/\/akincilardergisi.com\/tr\/wp-json\/wp\/v2\/posts\/52721\/revisions\/52723"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/akincilardergisi.com\/tr\/wp-json\/wp\/v2\/media\/52722"}],"wp:attachment":[{"href":"https:\/\/akincilardergisi.com\/tr\/wp-json\/wp\/v2\/media?parent=52721"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/akincilardergisi.com\/tr\/wp-json\/wp\/v2\/categories?post=52721"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/akincilardergisi.com\/tr\/wp-json\/wp\/v2\/tags?post=52721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}